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Preview — The Animator's Survival Kit by Richard Williams
The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit?
Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Award
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Published 2001 by Faber & Faber
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Sep 02, 2015
Danielle The Book Huntress (Back to the Books) rated it
really liked itRecommends it for: Animation students and enthusiasts.
Recommended to Danielle The Book Huntress (Back to the Books) by: Coursebook for Basic Animation
Shelves: textbook-or-course-guide, art-books, nonfiction, animation
I read this for my Basic Animation class. I wouldn't say I read every page, but enough that I will count it. It's mainly illustrations but that's probably the best learning tool for this subject. Mr. Williams clearly knows his stuff when it comes to animation. He worked with all the greats, including the Old Men of Disney and he knew some of the other greats like Tex Avery. This is a must for animation students and those who want to explore the technical side of animation, and it's a good refere..more
After reading this, I quit my job and went back to school to learn all about animation! Interesting, up-to-date, 'complete' and very useful guide.
Apr 05, 2017Fatine rated it it was amazing
This book has a great deal of Richard Williams in it and it's absolutely amazing. Of course it does a fine job explaining all the notions necessary to grasp the basics of animation but ultimately, what makes it so enthralling to read is getting to enjoy Richard's perception of the craft and see it manifest through the pages. This is especially true if one gets the chance to watch the accompanying DVDs while reading the book. Warm and mellow in its speech but unmistakably driven and passionate, T..more
Sep 05, 2018Katelyn Jenkins rated it it was amazing
ULTIMATE BOOK ON ANIMATION.
iF YOU WANT TO BECOME AN ANIMATOR, THIS IS practically available everywhere. :)
Just get it! Just practice it! Get good doing your great! This book is the only of it's kind, thank you to Richard Williams, I will forever be reading this.
This book is a must-read for anyone interested in learning animation. I always refer back to it while working. Priceless tips by an animation mastermind.
Jul 23, 2018Anna Dale rated it it was amazing · review of another edition
Full of beautiful and helpful illustrations! There's so much information, I almost want to reread it so I can reinforce what I've learned.
I doubt I'll ever become an animator but I sure did learn a lot from this book! And now I appreciate more the effort that goes into making animations.
Can't say I enjoyed the whole journey, though. For someone studying the subject or working in the business the book is surely a gem, but a layman like me might find the countless pages on 'how to make a character walk' quite a slog to go through..
I totally recommend this book to anyone who has even the slightest dream of becoming an animator.
Jun 14, 2017Diana Habashneh rated it it was amazing
excellent reference. i also recommend watching the videos for more understanding
Aug 01, 2018
Aja rated it
it was amazingRecommends it for: anyone interested in hand drawn animation
While I have not gotten into animation (at least not yet), this book really gives me a great wealth of information for what to expect. Not just for animation, but for great animation. It's absolutely mind blowing of the compilation of advice from not only the author himself, but of other animation veterans of different studios spelling it out for anyone who reads this.
I remember a friend of mine from school saying that doing traditional hand drawn animation was insane because of the countless dr..more
Dec 08, 2018Gvantsa Tandilashvili rated it it was amazing · review of another edition
An important book for animators and animation enthusiasts. This has been a useful and faithful tool for me as an animator. I often refer to it. There's information on the different cycles and variations of them such as run, walk cycles. Learned so much about arcs, acting, body language, twinning, facial expressions, lip sync, etc. Everything is broken down and explained through pictures, drawings, and written explanations in a way that is fun and engaging. There is a lot of information geared to..more
Oct 06, 2017Koen Crolla rated it really liked it · review of another edition
Williams is obviously working from a very specific tradition of animation and targets people who animate in a studio context rather than people who want to do it on their own, but most of the advice here translates and only some of it is clearly bad (like the stagger vibration thing; it's certainly true that that is/used to be a very common way of doing it, but the only reason I know that is because it stands out like a sore thumb every single time).
I just don't understand why every man in anima..more
More pictures than text, reading through this book helped prepare me to succeed in my animation class. I was able to add tips and tricks from the book that helped set my animation a level above other first time animators in the class. Hearing the many approaches of animators gave me confidence in trying out new and different ways of animating. While one shouldn't include a walk cycle in their portfolio, one does need to excel at a walk cycle in order to achieve better animation.
This is a great book on learning to execute very commonly used techniques in animation. Although I never practiced anything the book taught me, it has given me a much desired dose of knowledge on how many of my favorite 2-D animated films were made.
I just finished it for the same week and i really enjoyed it. I loved how at first the storylines didn't seem to have anything to do with each other but slowly details were revealed to show how they are all connected.
This book breaks down how the pioneers of animation created and honed the classic movement style of the 30's and 40's. Easy to follow and fun to read, with tons of reference illustrations on just about every page.
Probably the best book out there for animators who are looking for animating tips.(specially beginners) Great book i thank Mr Richard Williams for this great book and sharing his experiences with the world🙏🏼
Nov 18, 2018Siann rated it it was amazing
THIS Lovely ginormous book was gifted to me by my brothers girlfriend. and it was what I wanted for so long. THANKYOU!!!!
I have to say it gives you the basics of practically everything to do with movement, proportion, body language, facial expressions. This is really helpful.
Aug 03, 2019Sarna na Kiju rated it it was amazing
Ok, I didnt manage to finish it, but Ive read around 260 pages and I've stopped because I feel I am not at a proper level to actually proceed the book. I will continue reading it, its really good and helpful. :) Do yourself a favor and read it if you want to animate.
Wow wow wow. I learnd so much! Im definitely going to use this when I practice animation. Great book for anyone interested or studying animation
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Incredible. I'll never look at animation the same.
A good startup book for animators
Great reference guide for animators and animation enthusiasts!
Jun 10, 2019harsan81 rated it it was amazing · review of another edition
Magnificent! I learned a lot from this book!
It's a must have and read for any animation professionals, student, hobbyist, or enthusiast!
Oh neat! This is on here! lmao 500/5 excellent to read through and reference eternally.
Oct 04, 2018Jakob Christensen rated it it was amazing
The first book to get as an aspiring animator. Amazing value and fun to read.
Genius!
Animation's Holy Bible.
Aug 19, 2019Pretty Literate Opossum marked it as to-read
It's been a couple days since Dick's passing. I think it's time for me to start reading this book.
Dec 06, 2017Alex Jon Harvey rated it it was amazing · review of another edition
The greatest resource for learning animation, undeniably! However, Williams' ideas and commentary throughout are too often mysoginistic and homophobic for whatever reason.
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“Good drawing is not copying the surface. It has to do with understanding and expression. We don't want to learn to draw just to end up being imprisoned in showing off our knowledge of joints and muscles. We want to get the kind of reality that a camera can't get. We want to accentuate and suppress aspects of the model's character to make it more vivid.” — 0 likes
“We're not copying life, we're making a comment on it.” — 0 likes
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